I found once again the reality check and honesty coming from Mayor Pete remarkable,, I hope people watch the newscast. As to the radio interview done in Austin around the time Mayor Pete was about to do his CNN live TOWN HALL at SXSW interview. I thought the questions the radio interviewer asked were tough as they should be and Mayor Pete again responded again with honesty tempered with a reality check. I think Chelsea Manning is a hero. and her actest action of refusing to speak to what it appears to me is a fishing tactic and going to jail a result is a principal action. But I listened to what he said and thought I don't agree with him I felt his response was not a deal breaker for me. I remember well when I confronted Cornell West when Obama was running. West has always included LGBT people in his public political appearances, It was at a sold-out NY TIMES public conversation. At the time West was one of Obama's advisors and traveled with him. Obama still was saying he did not believe in same-sex marriage and had difficulty addressing LGBT issues. I, from the floor, during the Q&A period asked::" Brother West, you have been supportive of lesbian and gay people in all their diversity and gender expression and their struggle for equal treatment whenever you speak. Please explain how you are now supporting a candidate that is "troubled" by the demands of my collective community? His answer has stayed with me. "Brother Jim, I bring it up every day and will continue to do so until he learns what is fair and just," I feel the same way about Mayor Pete. He is one of 3 candidates that at this stage appeal to me. I will do the same publicly. I am committed to supporting a candidate who can defeat Trump. period. First things first i remind myself
I listened to both the video of the CBS news interview and the CBS radio interview. I found once again the reality check and honesty coming from Mayor Pete remarkable,, I hope people watch the newscast. As to the radio interview done in Austin around the time Mayor Pete was about to do his CNN live TOWN HALL at SXSW interview. I thought the questions the radio interviewer asked were tough as they should be and Mayor Pete again responded again with honesty tempered with a reality check. I think Chelsea Manning is a hero. and her actest action of refusing to speak to what it appears to me is a fishing tactic and going to jail a result is a principal action. But I listened to what he said and thought I don't agree with him I felt his response was not a deal breaker for me. I remember well when I confronted Cornell West when Obama was running. West has always included LGBT people in his public political appearances, It was at a sold-out NY TIMES public conversation. At the time West was one of Obama's advisors and traveled with him. Obama still was saying he did not believe in same-sex marriage and had difficulty addressing LGBT issues. I, from the floor, during the Q&A period asked::" Brother West, you have been supportive of lesbian and gay people in all their diversity and gender expression and their struggle for equal treatment whenever you speak. Please explain how you are now supporting a candidate that is "troubled" by the demands of my collective community? His answer has stayed with me. "Brother Jim, I bring it up every day and will continue to do so until he learns what is fair and just," I feel the same way about Mayor Pete. He is one of 3 candidates that at this stage appeal to me. I will do the same publicly. I am committed to supporting a candidate who can defeat Trump. period. First things first i remind myself
You ask why I still go to SXSW,,, well this is one reason. This air was thick with excitement, The line waiting to get into the session went down two floors out on to the street and went around the building. SXSW was smart to have the interviewer be from the Intercept...listen up ... but live a music concert ot a play or a soccer game BEING THERE is best.
WARNING: This captured livestream of SXSW"S Kathy Griffin keynote is uncensored speech. Adult language, use your own judgment if it is appropriate for you to watch. Griffin is a feminist comedian in the style of Lenny Bruce and Moms Mably, I found it shocking politically and absolutely hilarious as she describes how she was tread by the FBI etc ,,,,
The 2nd reason I still go to SXSW,,, finally we get the real story,,,its shocking,, and the music has not really started,,, Wed, music will be everywhere. dancing the tango with the film festival
You ask why I still go to SXSW,,, well this is one reason. This air was thick with excitement, The line waiting to get into the session went down two floor out on to the street and went around the building. SXSW was smart to have the interviewer be from the Intercept...listen up ... but live a music concert ot a play or a soccer game BEING THERE is best.
FYI: The Intercept is a must read for me. Glenn Greenwald, Jeremy Scahill andLaura Poitras were the founders
Altin Gün show what happens when you open doors between Turkish folk songs on the one hand and a dirty blend of funk rhythms, wah-wah guitars, and analogue organs on the other. The Amsterdammers who come from various backgrounds (Turkish but also Indonesian and Dutch) and comfortably create their work in the adventurous no-man’s land that exists between these two worlds.
up of Turkish, Dutch and Indonesian members, Altin Gün produce a sound that opens the doors between Turkish folk songs, funk rhythms, wah-wah guitars, and analogue organs. This fresh and beautiful sound comes from the inspiration of Neşet Ertaş, a Turkish folk musician whose musical legacy is invaluable. Altin Gün retain the themes and lyrical structure of Ertaş’s songs, mixing it up with alternate time signatures and adding fuzzy bass and sweltering organ sounds.
Biographies
LekfaMaryam Saleh. A major creative force and a powerful voice for her generation, Egyptian singer and songwriter Maryam Saleh composes and performs music that is personal, political and contemplative. She released her monumental debut album Mesh Baghanny (eka3, 2012), after which she joined forces with Lebanese electro-pop pioneer Zeid Hamdan to release Halawella (Mostakell 2015). Known for her muscular, alluring vocals and charismatic stage presence, stemming from being brought up in the world of theatre by her late father, theatre critic, director and writer Saad Saleh. Maryam is also known for bringing the protest songs of Sheikh Imam back to life in new alternative forms through her band BarakA. She starred in many Egyptian films and TV series including Ibrahim El-Batout’s Eye of the Sun (2008) and Tamer El Said’s In the Last Days of the City (2016).
Maurice Louca. Inspired by many influences, from psychedelic to Egyptian shaabi, Maurice Louca’s second album Benhayyi Al-Baghbaghan (Nawa Recordings, 2014) shattered the confines of musical and cultural labelling and was dubbed by many as a game-changer for the region’s bustling independent music scene. He went on to co-found the Dwarfs of East Agouza with Sam Shalabi and Alan Bishop, releasing their first album together to worldwide critical acclaim. Maurice is also a founding member of Alif, Karkhana and Bekya and he continues to compose for film, dance and theatre.
Tamer Abu Ghazaleh. A cross-genre composer, producer and a prolific collaborator born in Cairo to a Palestinian family, Tamer released his latest album Thulth (third), via Mostakell in 2016, earning him widespread attention for melding virtuosity with fierce experimentation in Arabic composition, songwriting and performance. In 2012 he co-founded the critically acclaimed alternative band Alif with Maurice Louca and Khyam Allami; produced Maryam Saleh’s debut album Mesh Baghanny in 2012; collaborated with Yacoub Abu Ghosh on his album As Blue as the Rivers of Amman in 2011; started the cross-genre group Kazamada in 2010 with Zeid Hamdan, Mahmoud Radaideh and Donia Massoud; released Thawret Ala’ (Revolution of Anxiety), a collaborative piece of musical theatre performed by Al-Tamye Theatre Group in 2008; worked with Palestinian and Egyptian artists on Jehar with Huda Asfour; collaborated in Duo Buzuq with Rabea Jubran and in Kalam Mazzika with Salam Yousry and performed on Khaled Jubran’s Psalms in 2005.
Altin Gün On their debut album ‘On’ (Bongo Joe Records), the band show what happens when you open doors between Turkish folk songs which were passed on from generation to generation on the one hand and a dirty blend of funk rhythms, wah-wah guitars and analog organs on the other. The Amsterdammers come from various backgrounds (Turkish but also Indonesian and Dutch) and comfortably create their work in the adventurous no-man’s land that exists between these two worlds.
Older generations of Turkish musicians have also experimented with opening doors between previously unconnected sonic worlds. During the seventies, artists such as Baris Manço, Selda Bağcan and Erkin Koray practiced a way of songwriting and composing similar to Altin Gün’s.
Manço, Bağcan and Koray have all influenced Altin Gün, but their foremost inspiration is Neşet Ertaş, a Turkish folk musician whose musical legacy is invaluable. Comparisons are almost impossible to make but imagine someone with the same impact and status as Bob Dylan or George Gerschwin and you’re getting close. Many of the songs he wrote have become standards in Turkey, national treasures which are cherished up until the present day. Altin Gün retain the lyrical and thematic structure of Ertaş’s songs, though they often alter their time signatures and add fuzzy bass sounds, sweltering organ sounds and raw saz riffs. Ertaş wrote the majority of the songs on the album even if these are hardly recognisable after all the work Altin Gün have done on them.
Let Altin Gün open that door for you and get ready to indulge in their fresh and beautiful sound.
Altin Gün are: Ben Rider (guitar) Daniel Smienk (drums)Jasper Verhulst (bass) Merve Dasdemir (vocals) Erdinc Yildiz Ecevit (saz, keys, vocals) Gino Groenveld (percussion
A bit of North Carolina Americana soul with heartbeat drum rhythm. Made me happy listening .... it's not red state music. It's mot blue state music ...It's American roots music ...thanks Bob Boilan for posting
Ilhan Omar is again at the center of controversy, this time for remarks she made last week at a panel discussion at Busboys and Poets, a Washington, D.C. bookstore and restaurant. Omar’s “offending” comment was a reference to “the political influence in this country that says that it’s ok for people to push for allegiance to a foreign country.” She was immediately accused of feeding centuries-old anti-Semitic tropes about the nefarious influence of a Jewish cabal. A chorus of denunciations have ensued, a number of prominent House Democrats, most of them Jewish, have taken particular offense, and apparently the House Democratic leadership has decided to pass a four-page Resolution denouncing anti-Semitism and especially references to “dual loyalty,” implicitly rebuking Omar (the Washington Post headline declares that “Rep. Omar’s comments force Democrats to act on anti-Semitism measure.” Indeed, House leadership was forced to do nothing; they are choosing to do this). Meanwhile, Republicans call for more drastic action against her, shedding crocodile tears about bigotry, seeking to inoculate their party by absurdly comparing Omar to the viciously racist Steve King, and gleefully sowing division among Democrats.
The political denunciations of Omar are defensive, self-righteous, and cynical. They represent political grandstanding and not a serious response to either her comments or to the real harms caused by anti-Semitism in the U.S., which are not being caused by Omar or her supporters.
The viral video clip in which Omar made the offending comment is nine minutes long. But people have been jumping on twenty of the words she uttered, in approximately ten seconds, taking them out of context, and treating those words as an attack on Jews when they are not an attack, and indeed do not mention Jews.
It is true that Omar lacks the sensitivity to Jewish people that comes from a certain experience that she does not have. There are many different ways that people from different parts of the world experience the world. (Is it really necessary for this to even be said in the year 2019?) Omar is a Somali-American who was born in Mogadishu and grew up in Baydhabo, not New York or Los Angeles. And she is a Muslim whose personal experiences as a refugee make her especially sensitive to the plight of marginal Third World peoples, including Palestinians. Her words about the politics of U.S. foreign policy, and about Israeli-Palestinian relations, are sometimes infelicitous. But hers is a perspective shared by many young people. And it is motivated by a passion for equality, and only by lifting her words out of context can they be seen as hateful.
I encourage everyone to watch the nine-minute video in its entirety. Far from a fire-breathing or hateful speech, Omar can be seen very carefully trying to parse her words in order to express her frustration, to defend herself, and to clarify her position on the rights of Palestinians. And while she does not fully succeed, she also tries to be careful to attend to the sensibilities of Jewish people, who she describes both as “constituents” and as “colleagues.”
Here is the video:
The “offending” words occur at 4:08. But to establish the context, I have transcribed the first five minutes of the video. Here are Omar’s words, verbatim:
“I get emotional . . . Because I know that I have a huge Jewish constituency and, you know, every time I meet with them, they share stories of safety and sanctuary that they would love for the people of Israel and, most of the time when we’re having the conversation, you know, there is no actual relative that they speak of, and there is still lots of emotions (sic) that comes through because its family, right? My children still speak of Somalia with passion and compassion even though they don’t have a family member there. But we never really allow space for the stories of Palestinians seeking safety and sanctuary to be uplifted. And to me it is the dehumanization and the silencing of a particular pain and suffering of a people that should not be ok and normal. And you can’t be in the practice of humanizing and uplifting the suffering of one if you’re not willing to do that for everybody. And so for me I know that when I hear, right, my Jewish constituents, or friends or colleagues, speak about Palestinians who don’t want safety or who aren’t deserving, I stay focused on what the actual debate about what that process should look like. I never go in the dark place of saying ‘here’s a Jewish person, they’re talking about Palestinians, Palestinians are Muslim, maybe they’re Islamophobic.’ I’ll never allow myself to go there, because I don’t have to. And what I am fearful of, is that because Rashida (Tlaib) and I are Muslim, that a lot of our Jewish colleagues, a lot of our constituents, a lot of our allies, go to thinking that everything we say about Israel, to be anti-Semitic because we are Muslim. And so, to me, it’s something that becomes designed to end the debate, because you get in this space of, ‘yes, like, I know what intolerance looks like, and I’m sensitive when someone says the words you use are resemblance of intolerance.’ And I am cautious of that, and I feel pained by that. But it’s almost as if every single time we say something, regardless of what it is we say, that is supposed to be about foreign policy or engagement or advocacy about ending oppression, or the freeing of every human life, and wanting dignity, we get to be labeled as something, and that ends the discussion. Because we end up defending that, and nobody ever gets to the have the proper debate of what is happening with Palestine. [Pause, applause.] So I want to talk about the political influence in this country that says that it’s ok for people to push for allegiance to a foreign country, I want to ask, why is it ok for me to talk about the influence of the NRA or fossil fuel industries or Big Pharma, and not talk about a powerful lobbying group that is influencing policy. I want to ask the question of why is it ok for you to push, for you to be, there’s so many people, I mean, most of us are new, but many members of Congress have been there forever, some of them have been there before we were born, so I know many of them were fighting for people to be free, for people to live in dignity in South Africa, I know many of them fight for people around the world, to have dignity, to have self-determination, so I know that they care about these things. But now that you have two Muslims that are saying ‘there’s a group of people that we want to make sure have the same dignity that you want everybody else to have’ we get to be called names and we get to be labeled as hateful. No, we know what that looks like. We experience it every single day. I receive death threats. . . . There are gas stations that have written on their bathrooms ‘assassinate Ilhan Omar. . . .’”
There is nuance in these words, and qualification, and frustration at being misunderstood, and a passion for justice but also a sense of vulnerability and a desire to have better understandings with colleagues and constituents, especially Jewish colleagues and constituents. But there is no hate.
Omar does not center her discourse on “anti-Semitic tropes.” And the broader context of her “offending” remark was a legitimate question: why are Muslim-Americans like her and Rashida Tlaib under an automatic cloud of suspicion — as they are for many — because they care about Palestinian rights, while it goes without question that Americans can simply love Israel if they choose? Why are many Americans — yes, unfortunately, including many Jews, though surely not all and perhaps not even most — more comfortable treating Bibi Netanyahu as a “partner” than treating American citizens and public officials like Omar and Tlaib as partners? These are real questions, and Omar posed them in the course of defending herself, and also noting the threats to which she is regularly subjected as a Muslim member of Congress (threats which are apparently being investigated by the FBI). That is the context of her words about “foreign allegiance.” The context doesn’t remove the sting that some Jewish people might legitimately feel. But that does not make Omar an anti-Semite.
Indeed, the proposed House Resolution seems almost like a validation of Omar’s question.
Did the House pass such a full-throated Resolution about anti-Semitism after Charlottesville, or after the recent Pittsburgh synagogue massacre? No. But now that one young Muslim-American Congresswoman has uttered ten words about “allegiance to a foreign country” in a nine-minute speech about human rights, it becomes necessary for Congress to make a big statement of denunciation?
Necessary? Such a claim begs credulity.
And so House members will rally around some flag, and join together to rebuke Ilhan Omar.
Meanwhile Israel and Palestine descend deeper into despair, and Trump and Jared and Bibi smile. And the world burns.
Jeffrey C. Isaac is James H. Rudy Professor of Political Science at Indiana University, Bloomington. He is a Senior Editor at Public Seminar, and his book #AgainstTrump: Notes from Year One, was recently published by Public Seminar/OR Books.
