Friday, November 22, 2019

Genet and Jesus in the Marketplace by david wojnarowicz, Capitalism's chaos

This artwork by David W. hung on my bathroom wall for 38 years.

I bought it at the first Art Show that Club 57 had. David and Keith H. were both working at Danceterian as busboys. and happy to have jobs like all the "unemployable" artist friends I hired. Keith also installed our first art installation on the butcher paper Rudolph had bought.

I remember one day coming in during and see Rudolph about to tear it down. I started screaming don't tear it ..".its ART, Rudolph. Art!" ... Anyway, now this multi-layer painting is traveling around the world as part of the Whitney David W exhibition.

I think it is appropriate to show this work now given the chaos that addiction to greed and lies are being revealed at the impeachment hearing. We need truth-telling, fearless Saints, like Genet, to "clean house" as a first step to show the future generations ...despite our generations fu*k up, there are those of us who stand with future generations and shout "STOP IT" : to show our support and commitment to their future by attempting to clean up our mess ... drugs are not the answer ...compassion for each other in all our diversity and hope and actions is.


Sacha Baron Cohen Uses ADL Speech to Tear Apart Mark Zuckerberg and Facebook

ESSENTIAL: Sacha Baron Cohen Uses ADL Speech to Tear Apart Mark Zuckerberg and Facebook



 

Wednesday, November 6, 2019

Friends said I was crazy and YALE curators perplexed when I included about a thousand cassette demo tapes (self hand-labeled prior to my archive pick-up. I had to save these from the 10,000+ I have been sent over the years. Theses were the ones that I really liked from my art curating/presenting days in nightlife. Danceteria, Hurrah, (new) Peppermint Lounge, etc and my days as Sr VP of A&R at a major including my imprint Beauty records, etc.. Cassettes like the original REM demo, SF's Noh Mercy, Ministry with a female lead singer etc, etc,,,, many are my personal treasures, some are treasures lost to the artists themselves and some contain artists who became world-famous (GREY) etc etc. Now the question is what to do with my treasure LPs ??????? and white label 12 inches. ..... oh my life is complicated!

NOTE: History is a reality check! False facts (post-truth) and constructed lies are vicious, digital worms eating at the core of history, rotting facts and spewing confusion by dishonoring that which actually happened.


The Internet Archive is now working to preserve vinyl LPs

posted by Patrick Tanguay   Nov 05, 2019Photo by Travis Yewell on Unsplash


The Internet Archive is an absolute treasure with a gigantic task ahead of them. They have now set their sights on vinyl LPs and started the work of digitizing and archiving these recordings.

Earlier this year, the Internet Archive began working with the Boston Public Library (BPL) to digitize more than 100,000 audio recordings from their sound collection. The recordings exist in a variety of historical formats, including wax cylinders, 78 rpms, and LPs. They span musical genres including classical, pop, rock, and jazz, and contain obscure recordings like this album of music for baton twirlers , and this record of radio’s all-time greatest bloopers .

Since all of the information on an LP is printed, the digitization process must begin by cataloging data. High-resolution scans are taken of the cover art, the disc itself and any inserts or accompanying materials. The record label, year recorded, tracklist and other metadata are supplemented and cross-checked against various external databases.

The Archive is partnering with Innodata Knowledge Services, who digitize the LPs in their facility in Cebu, Philippines. Setting up and turning over every album by hand and recording each side at normal speed. Once recorded, there is a large FLAC file for each side of the LP, which needs to be segmented so listeners can easily begin at the desired song. There are two different algorithms used for segmenting; the first one looks at images of the vinyl disc to locate gaps in its grooves, which usually line up with gaps between songs. A second algorithm listens to the audio file to find the silent spaces between songs. When these two algorithms align, our engineers have a good measure of confidence that the machine has found the proper tracks.