Friends said I was crazy and YALE curators perplexed when I included about a thousand cassette demo tapes (self hand-labeled prior to my archive pick-up. I had to save these from the 10,000+ I have been sent over the years. Theses were the ones that I really liked from my art curating/presenting days in nightlife. Danceteria, Hurrah, (new) Peppermint Lounge, etc and my days as Sr VP of A&R at a major including my imprint Beauty records, etc.. Cassettes like the original REM demo, SF's Noh Mercy, Ministry with a female lead singer etc, etc,,,, many are my personal treasures, some are treasures lost to the artists themselves and some contain artists who became world-famous (GREY) etc etc. Now the question is what to do with my treasure LPs ??????? and white label 12 inches. ..... oh my life is complicated!
NOTE: History is a reality check! False facts (post-truth) and constructed lies are vicious, digital worms eating at the core of history, rotting facts and spewing confusion by dishonoring that which actually happened.
posted by Patrick Tanguay
The Internet Archive is an absolute treasure with a gigantic task ahead of them. They have now set their sights on vinyl LPs and started the work of digitizing and archiving these recordings.
Earlier this year, the Internet Archive began working with the Boston Public Library (BPL) to digitize more than 100,000 audio recordings from their sound collection. The recordings exist in a variety of historical formats, including wax cylinders, 78 rpms, and LPs. They span musical genres including classical, pop, rock, and jazz, and contain obscure recordings like this album of music for baton twirlers , and this record of radio’s all-time greatest bloopers .
Since all of the information on an LP is printed, the digitization process must begin by cataloging data. High-resolution scans are taken of the cover art, the disc itself and any inserts or accompanying materials. The record label, year recorded, tracklist and other metadata are supplemented and cross-checked against various external databases.
The Archive is partnering with Innodata Knowledge Services, who digitize the LPs in their facility in Cebu, Philippines. Setting up and turning over every album by hand and recording each side at normal speed. Once recorded, there is a large FLAC file for each side of the LP, which needs to be segmented so listeners can easily begin at the desired song. There are two different algorithms used for segmenting; the first one looks at images of the vinyl disc to locate gaps in its grooves, which usually line up with gaps between songs. A second algorithm listens to the audio file to find the silent spaces between songs. When these two algorithms align, our engineers have a good measure of confidence that the machine has found the proper tracks.
NOTE: History is a reality check! False facts (post-truth) and constructed lies are vicious, digital worms eating at the core of history, rotting facts and spewing confusion by dishonoring that which actually happened.
The Internet Archive is now working to preserve vinyl LPs
posted by Patrick Tanguay 
The Internet Archive is an absolute treasure with a gigantic task ahead of them. They have now set their sights on vinyl LPs and started the work of digitizing and archiving these recordings.
Earlier this year, the Internet Archive began working with the Boston Public Library (BPL) to digitize more than 100,000 audio recordings from their sound collection. The recordings exist in a variety of historical formats, including wax cylinders, 78 rpms, and LPs. They span musical genres including classical, pop, rock, and jazz, and contain obscure recordings like this album of music for baton twirlers , and this record of radio’s all-time greatest bloopers .
Since all of the information on an LP is printed, the digitization process must begin by cataloging data. High-resolution scans are taken of the cover art, the disc itself and any inserts or accompanying materials. The record label, year recorded, tracklist and other metadata are supplemented and cross-checked against various external databases.
The Archive is partnering with Innodata Knowledge Services, who digitize the LPs in their facility in Cebu, Philippines. Setting up and turning over every album by hand and recording each side at normal speed. Once recorded, there is a large FLAC file for each side of the LP, which needs to be segmented so listeners can easily begin at the desired song. There are two different algorithms used for segmenting; the first one looks at images of the vinyl disc to locate gaps in its grooves, which usually line up with gaps between songs. A second algorithm listens to the audio file to find the silent spaces between songs. When these two algorithms align, our engineers have a good measure of confidence that the machine has found the proper tracks.
Jim! I'm not dead! Henry Schissler
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