Jean now lives in Austin Tx...makeing art, making music and presenting today her one-woman show on tour that takes you from her punk teen years days in SF in late 70's through NYC and her being in Pulsallama and working at Danceteria to her move to Austin ,,,a rare insight into being a straight girl in a an all-girl indie rock band... we love Jean and her memories.., thank you, Jean
Pulsalamma documented by Paul's inner tube
Well, I must tell you last night at the Slipper Room, normally a showcase for the "New Burlesque," was the most insightful self-examination of what it was like to be a teenage heterosexual girl in San Francisco in the late 70's that I have heard or read. A time when punk and hard-core music exploded. in the Bay area, Sadie shared a reflection on how she had heard the call from the feminist moment that she controls her body and does when she can do whatever she wants with it ...particularly in the area of sex (Note: she used no politically correct language but simply told how she lived her life). Popping up every so often was her dad struggling to be a supportive father at the same time being concerned for her safety. She and her girlfriends had a lot of sex mostly with boys in bands some of whose names I recognized and a lot I did not. She remembers that she had a real good, fun time in coming of age in that world and learning about the contradictions between boys and girls. She also talks about her experiences of being in a band, particularly one all all-girl band called the URGE as a drummer. She told of a trip to LA to play the Hong Cong Cafe ( a punk/new wave in the back room of a Chinese Restaurant booked by LA's version of NYC 's Anya "terror" Phillips, tough, smart and punk-glamorous Asian woman who I believe was Allison Humamura. This Asian booker who had booed the URGE for two night after hearing the substance intoxicated band play night 1 canceled the second night and told Sadie the URGE was" the worse band she had ever heard." I got a real sense of community and of the friendship of the girls in punk and the rivalry over boys, mostly musicians in punk from Jean's memory performance. A real reality check is her simply, jargon-free explanation of how getting pregnant, asking the boy responsible for half the $100 fee and going to Kaiser Hospital alone, for an abortion, She spent the night (imagine that today!) then called her Dad to pick her up. The performance was done with an acoustic and plugged-in guitars and three very dramatic t-shirt changes with slogans reflecting a woman's symbol, an anonymous hashtag and finally reflecting on when Sadie left to the City by the Bay to come to the Emerald City an I LOVE NY t-shirt. Hearing her made me remember a narrative film from a couple of years back that I really liked : "Diary of a Teen Age Girl" whose central character was a teenage girl around the same time as Sadie's reflection growing up in SF and developing not only a creative life but learning about sex, love, and rejection. I hope Jean Caffeine finishes her "being worked on NYC years",. That is when I first met her and then she moved to Austin Tx where I always make sure when I am at SXSW to check in with her.
NOTE TO ACADEMICS: her hour-long presentation is perfect for Gender and Women studies programs as well as women in music courses ... Book her
Dear Super Cool Mellenial .. I know you know the name, Kathy Acker. But you never met her ... I know it is not your fault. Age and death got in the way .. so here is a little gift for you ... really do listen so that when you hear her names dropped you will silently say to yourself ..".well actually I have listened to her speak about herself and her work. it is a GREAT.... here is the jump off point to all that Acker created
THE ICA INTERVIEW
David Antin.her friend and her mentor remembers Kathy starting in 1968
A
Kathy Acker interviews Willam Burroughs Part 1/3
Kathy Acker interviews Willam Burroughs Part 2/3
Kathy Acker interviews Willam Burroughs Part 3/3
Hal Wilner produced this beautiful piece where Acker reads Rimbaud, laments Patriarchy and inhabits Medea
Dear Super Cool Mellenial .. I know you know the name, Kathy Acker. But you never met her ... I know it is not your fault. age and death got in the way .. so here is a little gift for you ... really do listen so that when you hear her names dropped you will silently say to yourself ..".well actually I have listened to her speak about herself and her work. it is a GREAT jump of point to all the Acker created
Why she is not a Broadway Star baffles me. Why VICE has not given her a chat show baffles me. Ellen DeGeneres meet you "bad" sister ... Markey gives new meaning to the phrase "FemmeTop"
well downtown she is a superstar.. here is a peek why .. its adult humor by the way ...
Tommy Keene master pop indie rocker and song craftsmen.. and my friend has passed in his sleep.
He was as good a guitar player on the indie rock scene as anyone, Please visit his song catalog .. in the usual places. Now I can say what he wanted to keep quiet ... and I did. Tommy was gay, Most people did not know and those in the industry kept it a secret. Why you ask in 2017? Well, homophobia killed Darby Crash, keep the Screamers w/ Tomato DuPlenty from being signed by a major, isolated Sister Double Happiness. The closet nearly killed Mark Eitzel, and I could go on but stop here. It's just the same fear that closet that is just the tip of the iceberg
Tommy was one of the kindest and sweetest indie rockers I ever met. His discipline and craftsmanship at songwriting is manifest on albums and cds. I am speechless at the moment to properly give him his due/
Tommy Keene was a musician that his peers resed and loved.
Tommy and Peter Holsapple two friends and master song crafters
Last saw him play in Brooklyn with Ivan Julien at Union.Hall a few months back.
We chatted after, He showed me pictures of his dog. Was glad to hear that he and a lover visited Steve Fallon (Maxwell's) in Rehobeth Beach,,,,,,, tick tock...make sure you tell the ones you are pissed at the moment that you also love them .(the lesson AIDS taught me) .. so when suddenly they are gone you send them on their Bardo journey wrapped in love To all who Tommy loved, speak up please. It's OK now
Loved you Tommy , my gay rocker brother.
here is a live video form the final tour .. a taste .. not perfec but now a memory to be cherrished
A BLACK WOMAN who despite racism and sexism ignited popular culture first through the Supremes and then as her own DIVA self.
Ms. Ross has been a presence in music right there with the Beatles, Stones and Ms. Aretha. DIANA ROSS: Artist, Icon and yes Diva with all that those three words imply. I trust that no matter what age your eyes and ears are you will grasp first the spectacle of this black woman and why she infused popular culture with an image of black femaleness that excited your girls' imagination and role-modeled what they could be despite the politics of the days of her life.She inspired Grace Jones, Sade and Tina Turner, who have managed to stand beside her as a groundbreaking visual images of Black femaleness. Ms, Ross sang the soundtrack of my party youth and hopefully yours, Her music is universal and timeless. Young people today hopefully will understand how out of Detroit and the housing projects three black girls survived by singing with fierce beauty and talent that still resonates across culture everywhere. Ms. Ross moved forward as a solo artist but her roots are still forever cemented in the self-affirmation and yes fun that the Supremes represented. Thank you, Ms. Ross.
Is this the legacy of years of civil rights struggle that we leave to our 17 years olds? .... just look at how he talks about women .. and himself...where did he learn this .. and why is he using a language of hate to self-describe himself? .. and please don't explain that he "is street." We collectively abandon our youth if this is the legacy they reflect ...and get rewarded for spitting out into our society... why do I suspect there is a white music bro at the top of the heap profiting from this youngsters popularity.
AH! I have been following Robin Holcomb ever since she released her first album on Nonsuch.
It made my top 10 that year in the Village Voice Pazz and Jop poll. Then she moved to Seattle. Holcomb rarely plays in NYC / One more reason I am grateful for Roulette... I missed her when she played Roulette live this year...Please join me in listening to the recording of the live performance
Finally, an artist who has had a wide influence on a generation of indie music legends is recorded. Who knew a neo-classical/rambunctious jazz musician was being listened to by so many "rock" musicians ..Think Monk meets Glass! (Yes, Monk meets Glass!!!!)
Sub Pop will release Walt Wagner’s 'Reworks' – an album of renditions popularized by the likes of Band Of Horses, DJ Shadow, My Bloody Valentine, Prince, Fleet Foxes, Phoenix, and more – on November 17th, 2017. The veteran pianist recorded the songs live on October 9th, 2016 at the famed Canlis Restaurant in Seattle, Washington.
Remember vinyl is the sonic choice for all ears, all recorded music
Tonight,,, At LPR ...oh so wish i could be there but can not break a commitment I have made previously .. ... please in you are near ... go .. TRUST ME .... and report back, please. She is a MAJOR ARTIST outside the US ...
Tonight,,, At LPR ...oh so wish i could be there but can not break a commitment I have made previously .. ... please in you are near ... go .. TRUST ME .... and report back, please. She is a MAJOR ARTIST outside the US ...
The rest of the world is gathering again (UN Climate Change Conference - will take place 6-17 November in Bonn, Germany and will be presided over by the Government of Fiji.) to try to stop the destruction of the planet by humans who put financial profit ahead of human needs and protecting the environment. The Trump administration in an act of arrogance is sending pro-coal advocates but unofficially US environmental groups are sending a shadow delegation, to represent the vast majority of US citizens who believe in Climate Change and the role the US plays. DEMOCRACYNOW.ORG will be broadcasting from the CONFERENCE DAILY
Lisa E. Davis author of Angie the Spy shocks Berkeley, Ca. bookstore audience with her revelations about the closeted lesbian who brought down the Communist Party USA and took her money and bought large chunks of P-Town when land was cheap.
This is my good friend, Greenwich village neighbor and spirit sister Lisa E. Davis the author of two of my favorite recent books.
Under the Mink cover
She wrote UNDER THE MINK the story of gay Greenwich Village in the 40's and 50's with many lesbian bars popping up and those mafia run "straight people" boîte de nuit 's where gender illusion ran supreme. Girls would be boys and boys would be girls. to titillate the uptown crowd playing naughty. In a Damon Runyon-ish voice, she reveals how life was for some girls in the lavender underground populated with the politicians, madams, and mob bosses!
found in Lesbian Herstory Archives
I suggest strongly that Todd Haynes or Ira Sachs or Steak House gets their hands on this book and turn it into a time and place premium series a la Broadway Empire A crime story with a sashay sense of humor and a world of hidden wonder.
Under Cover Girl
Her most recent book UNDERCOVER GIRL, the story of Angie the Spy surfacesthe almost erased true story of Angela Calomiris, a lesbian who worked for J Edgar Hoover and became an FBI informer. wsingle handily brought down the Communist Party USA. Its shocker revelation and made me think hard about assimilation politics and the ability of homophobes to pretend not to see who is standing in front of them and closeted homosexuals to use their own kind and then walk away when they get what they want the no longer useful agent. How resourcefulness helps to, in the LGBT world , obscure a person's past and seems not to matter when, like Angie in P-town, you are collectively in bed with the lesbian community Both books are an excellent and yes fun, educational reads. You can buy in your local bookstore (best) or buy online .. or better yet from Lisa at a reading or her in public conversation, Yes she is on facebook..... book her for your college history courses Watch a recent video of Lisa E Davis reading and in conversation with an audience at the San Francisco Public Library,,, not her knowledge linked with wicked, dry wit.
Sexual abuse of women is universal. It is rooted in patriarchy and institutional religion which seeds misogyny, sexism, and objectification. The first step for men is admitting to their role in practicing it and detoxing publicly. This infectious male virus can be killed if all of us be truthful about the role we play or the silence we kept about our witnessing this abuse. If we all take this action, the world for our children and the women and men in the future will be a better place. Please stop thinking it is one or two or three men in Hollywood who are is alone in these practices, We all have a role we have played. And let e add that we all have a right to feel sexy and sexual .. the question is what is an appropriate expression not based in abuse or non-consensual power games, Humor and art will help ..but it is individual practice that makes change
Well, I must tell you last night at the Slipper Room, normally a showcase for the "New Burlesque," was the most insightful self-examination of what it was like to be a teenage heterosexual girl in San Francisco in the late 70's that I have heard or read. A time when punk and hard-core music exploded. in the Bay area, Sadie shared a reflection on how she had heard the call from the feminist moment that she controls her body and does when she can do whatever she wants with it ...particularly in the area of sex (Note: she used no politically correct language but simply told how she lived her life). Popping up every so often was her dad struggling to be a supportive father at the same time being concerned for her safety. She and her girlfriends had a lot of sex mostly with boys in bands some of whose names I recognized and a lot I did not. She remembers that she had a real good, fun time in coming of age in that world and learning about the contradictions between boys and girls. She also talks about her experiences of being in a band, particularly one all all-girl band called the URGE as a drummer. She told of a trip to LA to play the Hong Cong Cafe ( a punk/new wave in the back room of a Chinese Restaurant booked by LA's version of NYC 's Anya "terror" Phillips, tough, smart and punk-glamorous Asian woman who I believe was Allison Humamura. This Asian booker who had booed the URGE for two night after hearing the substance intoxicated band play night 1 canceled the second night and told Sadie the URGE was" the worse band she had ever heard." I got a real sense of community and of the friendship of the girls in punk and the rivalry over boys, mostly musicians in punk from Jean's memory performance. A real reality check is her simply, jargon-free explanation of how getting pregnant, asking the boy responsible for half the $100 fee and going to Kaiser Hospital alone, for an abortion, She spent the night (imagine that today!) then called her Dad to pick her up. The performance was done with an acoustic and plugged-in guitars and three very dramatic t-shirt changes with slogans reflecting a woman's symbol, an anonymous hashtag and finally reflecting on when Sadie left to the City by the Bay to come to the Emerald City an I LOVE NY t-shirt. Hearing her made me remember a narrative film from a couple of years back that I really liked : "Diary of a Teen Age Girl" whose central character was a teenage girl around the same time as Sadie's reflection growing up in SF and developing not only a creative life but learning about sex, love, and rejection. I hope Jean Caffeine finishes her "being worked on NYC years",. That is when I first met her and then she moved to Austin Tx where I always make sure when I am at SXSW to check in with her.
NOTE TO ACADEMICS: her hour-long presentation is perfect for Gender and Women studies programs as well as women in music courses ... Book her
How to preserve culture in the 21st century in a political world hell-bent on erasing and re-writing history ... here is one intervention to make history authentic that new technology has made possible
Heiress, feminist, actress, Marxist, teacher and iconic model Benedetta Barzini has enjoyed a phenomenal career. From her big break posing for Irving Penn in the 60s, to starring in Simone Rocha’s A/W17 show just this year, her professional life has maintained fascinating and multifarious momentum. In fact, Barzini’s professional longevity may offer a perfect metaphor for her personal endurance and strength of character: the 73-year-old has talked openly about her numerous treacherous relationships, from that with her family, to anorexia, her father’s right-wing politics, love affairs and being left to raise newborn twins as a single mother. As her beauty has matured she has unfurled into an inspiring, strong and resilient woman, while her attitude to beauty and mental health reveal her steely constitution – as the following twists and turns of her life attest. Photography by Henry Clarke for Vogue
Features Barzini, with her piles of brunette hair, huge dark eyes and distinctive mole in the center of her right cheek, caught the eye of Italian Vogue editor Consuelo O’Connell Crespi in 1963. Her first shoot was soon spotted by US Vogue’s then-managing editor Diana Vreeland,, who sent a note to Barzini inviting her out to New York for a few days to shoot with Irving Penn for the magazine. Barzini stayed for five years. Working relentlessly with Penn and other photographers like Richard Avedon and Henry Clarke, by 1966 Harper’s Bazaar named her one of the “100 Great Beauties of the World”. Her personal style was far more low-key than the overblown glamour of her pictures. She opted for clean lines: crew-neck knits, woolen shifts, plain jumpsuits, her hair drawn back into a low ponytail, a bare face. Her aesthetic eschewed the gloss of her Manhattan-ite counterparts and her aristocratic upbringing, and such a penchant for simplicity belied the first signs of her Marxist leanings. “Nobody’s life is better simply because one is ‘beautiful,'” Barzini once exclaimed. “Beauty is not visible. It is written in charm, humor, authenticity. Nobody is responsible for their looks. We are all responsible for what we do with our body and mind. I never cared about looks. I never walked around looking like a model. On go-sees they would look at my book and say ‘Is that you?!’ I didn’t look like those pictures.” It was no doubt her refreshing originality of thought that drew her into Andy Warhol’s fold and garnered her a great friend in the artists Salvador Dalà and Jasper Johns. Even when in a zebra print evening dress at a party at The Factory (she described Warhol as wanting “to see the children of the High-Class Bourgeoisie of New York roll around like cockroaches inside the abyss”), her hair and make-up were purposefully pared back. Today, her look is just as spare and nonchalantly chic. The model is frequently papped on her bicycle outside venues at show season, her bare brown arms exposed bar piles of silver jewelry, her tresses of streaked silver hair loose and flowing, a cigarette always clamped between her teeth. There are a freshness and confidence to her look that defies all preconceived notions of age and beauty. Photography by Paolo VivianoSeminal Moments
Born in Grosseto in 1943 to political journalist Luigi Barzini, Jr, and Giannalisa Feltrinelli, heiress to the Feltrinelli family fortune, Barzini was sent alone to New York to study at just seven years old, where she stayed for five years. It was here that her ongoing struggle with an eating disorder began before she returned to Europe and oscillated between Swiss private schools and mental institutions – one of which she eventually escaped. “My sickness came from the fact that everyone that I had ever loved could not last,” Barzini has explained. “All my governesses (once I counted 17 of them) were constantly fired. The people who belonged to my so-called family did not exist. I was a very unwanted child. I consider my anorexia as the beginning of coming to sanity because it’s insane not to be sick if you have a really broken-up life. […] there is a very ancient link between anorexia and family dynamics. Refusing to eat is one of the very few things that women in the past could do to go against the will of their families.” And so began her concerns with patriarchy and power. It was back in New York while training at the Actor’s Studio that Barzini met the post-Beat poet, filmmaker, and Warhol apostle Gerard Malanga, to whom she would become engaged (though never married). Malanga dedicated numerous works of poetry to his muse Barzini: 3 Poems for Benedetta Barzini and The Last Benedetta Poems. By 1969, Barzini had moved back to Italy to act, and though she only appeared in a few, fairly unknown films, it was here that she fell in love with film director Roberto Faenza and married him. On the night she gave birth to their twins, Faenza walked out on Barzini, leaving her to raise her children communally with two female students and a male professor. Now she teaches a course in feminism at the University of Milan, is a member of the militant feminist group Unione Donne Italiane, and has helped raise awareness of the problems facing working-class women in Italy, much to her father (a leading figure in the right-of-center Liberal party)’s chagrin. She also spends two days a week volunteering at the local hospital, helping expectant mothers.
She’s an AnOther Woman Because…At 73 years old Barzini’s style and attitude continue to inspire to this day – bringing a joyful diversity to the ad campaigns of GAP and Burberry as well as the catwalks of Simone Rocha, Daniela Gregis, and her friend Antonio Marras. All of which she offsets with a healthy dose of suspicion of the profession: “I never really thought about being beautiful: I considered myself a sort of coathanger on which others (the ordeal in the fashion business) could place their own talents. Now I am more inclined to see beauty as a cop-out, a way of ignoring substance and commitment, a game to play with or against others.” Her enduring style, character, and charisma are a poignant reminder of the gifts of age and maturity. As Barzani, herself extols: “Life takes us far away from youth and running after one’s looks when young is ridiculous. Maturity is much more fascinating.”
when Randy died of a sudden heart attack years ago, PYLON ceased to be....years passed. Then last year Vanessa went to Curtis and Michael and said she wanted to sing Pylon songs again. She wanted to put together a Pylon Reenactment band. Both Curtis and Michael said "go for it." so she found players in Athens and then under the watchful eye of Curtis and Michael.....PRS was born. I saw them at MAXWELL's ..about six months ago...the songs were almost recreated perfectly..and Vanessa, well Venessa is a rara avis twirling and singing on stage as a packed room cheered and caught the dance bug, i was in 7th heaven ..as was Richard Barone he jumped on stage and joined them for a song... now I have learned PRS is releasing an ep from the tour. WOW1
Just one of the reason we LOVE Peter Gordon .. and LOLO...
Peter and Kit will be in London on Sat 21st at Cafe Oto w/special guest David Cunningham ...
This is a picture taken by Trix Rosen in 1979 of Jackie Rudin and me at Hurrah. Hot, no? Jackie was the person who introduced me to Robert Boykin and Barbara Lackey who were running HURRAH. The club had been a "beautiful people's" insider nightspot and the most important one in NYC until the day Studio 54 opened. (background: Arthur Weinstein employed by Robert B. to bring new "beautiful people" into HURRAH."Fresh Meat" those who were not given access would say. Arthur had access to HURRAH's private membership list. In the days before cell phones, facebook, etc. one of the most valuable assets of any successful club was its membership list. Arthur had met these two guys who said they were going to open a club on 54th street. He sold, for a nice sum, Hurrah's deeply protected membership list. Arthur just happened to have it in his back pocket. Od all those creatures of the night I knew back then, Weinstein and his beautiful, creative wife Collen deserve the Hollywood narrative biofilm as seen through the art of say, Scorsese. Casting would be a hoot.) Almost overnightHURRAH was a dead zone, R/B tried to reinvent HURRAH putting in a live theatrical show in the early evening. (Tom Eyen's "Way Hannah's Skirt WON'T STAY DOWN !" with Helen Hanft, WOMEN Behiubd BARS with Divine, etc. People came but left when the performancewas over to go to Studio.54. Next, R/Bbrought red-hot publicist/artist manager Jane Friedman(Woodstock, Patti Smith, et.c) and her pal Henry Schiller to do another makeover. Jane and Henry's concept was to have a "Classic Rock Disco" with WNEW's superstar radio personality MEG GRIFFEN spinning the radio records. Along with disco DJ Jeffery Brown. Meg was adventurous at WNEW.She would not only play the radio "rock chart Hits" of the day but would also work Ramones, etc. into her playlist. But it did not catch on in the way RB hopped. Hurrah was in trouble. One night Jackie asked me to come dancing with her at Hurrah.She said she wanted to intro me to R/B. She knew I needed a job having come back from LA, not a movie star. We met, and Jackie's intro was "here is Jimmie .. he will know how to turn this club around!" Note: I had never been in the nightclub business. But I was intrigued with the pop culture politics of doing nightlife club. Cultural work I thought. We set up a meeting .. I came prepared and worked out a deal that made me creative director of the club in charge of everything, including staffing, but not the bar nor the cash register. Th biggest fight was over their disco DJ (Jeff Brown) they wanted to keep (he was a very good DJ and very good looking ..but his style of disco was more the Saint and Studio and i heard a different dance beat), I brought in Sean Cassette and Mark Kamins. But that is another story for another time. My concept of art, live music/performance, fashion and great beats worked, and they made dance floor history. (It was the beginning of the template that became Danceteria, Peppermint Lounge, et.c) . HURRAH once again became the hot spot of not the "beautiful people" but of the creative community that was a part of the Mudd Social Club, and the remains of Max's Kansas City art crowd Fashion and art were in .. the motto was Dress up/come up. Later Jackie lost her job selling ads to the music industry for the Village Voice. AIDS Crack and MTV took its toll on the adventure of nightlife etc .. And my world turned, as did Jackie's\. We remained friends up until recently when she reinvented her history and life and became downtown's version of a paparazzi picking up many of the rude habits of Ron Galella and the DIY punk attitude of just click and post the picture as fast as you can. Unlike say Patrick McMullen or Dustin Pittman who both had chronicled nightlife and fashion and society up and downtown for years.Each took the time to edit their work to capture the self-image fantasy beauty the participants had of themselves. I remember thinking: We all have the right to reinvent ourselves. But the Jackie I had to know for 40 years became someone I did not know or particularly like. Nor could I continue to collaborate when confronted by others to confirm her self-confabulated history. We parted company. Jackie found a whole new generation of people to click away at, and they love her documentation of themselves. C'est la vie. We had at one point promised each other we would grow old and find ourselves sitting in big rocking chairs on some porch somewhere rocking away and remembering "those fabulous days." Life is complex and friendship has its ups and downs. But I still believe if either one of us was in trouble I trust we would be there for each other. I would.
I HAVE NOT FORGOTTEN YOU PETER HUJAR or your PICTURES
Many years ago Peter Hujar was my lover ... he is just now coming into public honor with a travelingMAJOR MUSEUM show organized by the Morgan Museum more than twenty years after his death from AIDS I remember asking him in the earliest days of after the STONEWALL REBELLION .if he would take a photo for a campaign the COME OUT cell of Gay Liberation Front . The COME OUT cell wanted to do a recruitment poster in a day when all most all lesbian and gay men were closeted and hidden in bars and secretcruising areas across the world. He agreed, For or a month we announced at the GLF weekly general meeting that anyone who wanted to be in this photo to come to a street in what is now known as SOHO. (sad that one person in the photo who disappeared for almost 20 years emerged and because of his lifestyle at the time could not remember where it took place published a confabulation and personal fantasy of where it took place. He was wrong,. As the person who organized the shoot with Peter, you would have thought he would have asked ... he did not!) Now that that has been said >|: NOTE why is it all white people despite the four people of color who showed up and at the last moment were afraid of going public about being gay and lesbian (The James Baldwin dual oppression dilemma). History must be told truthfully and not as a fantasy to be politically correct. Peter died of AIDs in 1989
let me share a few photos I love of Peters... and as life would have it ..whe we broke up and feelings were raw I took almost every photo he had taken . of me. Now I wish I had not ,,,,
Peter as he was when I lived with him. Handsome . One of Warhol's 10 most beautiful men fi
A very young John Kelly dancer
Charles Ludlam making up for Camille
Lola Pat Camille *Theater of Rediculous 1973
I remember Paul Morrisey whispering in Candy's ear . "taks more hormones Candy and you will be more beautiful. Dead fro cancer she was still beautiful. There is a lesson for today herre.
From his first book 1964
EthylEichelbergerin costume
EthylEichelberger out of costume
Ethyl in a pose
John and Gary
Iggy Pop 1969
Iggy Pop 1977
John Ashbury
Diana Vreeland 1975
Tomata du Plenty who once saved my life in Seattle
Add caption
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A young Fran
Jackie Curtis 1970
Greer had sexual reassignment surgery at 15. Greer was not intersex, His mother's request. Greer never fully recovered from it ..his art in many ways tells that story.